Selected Works

The Brother Burns the Bullion , 2014


Ubu Never Loved Us, 2016
Performance : Kgosana More (Saxophone) Vuyani Moloi (Flute) Brandon Ruiters (Trumpet) Snolethu Madasa (Piano) Zakhele Mongwanyane (Violin) Tumi Mapholo (Violin) Tsepo Pooe (Cello) Itani Thalefi (House Nigger + Guitar Kyle De Boer (Blk Diamond Butterfly) Siyabonga Mthembu (Mr Gold) Ayanda Zalekile (conductor)

Drumming and Fucking , 2016
Video

Bag Man, 2012
Plastic
80 cm x 200 cm x 40 cm
Country of my Skull, 2016
Treated and painted cows skull, zinc tub and marker drawing, vinyl, steel wire
Dimensions variable
Suspended disbelief, 2016
Treated animal bones and horns and edition 1 of 5 of Nkululeko Mthembu Self Portrait and Alice in Pondo Land I
Dimensions variable
We are finally on a billboard, 2016
Dibond print
300 x 50 cm
Alice in Pondo Land , 2016
Sound, lichi leaves, vinyl, 4 suspended painted corrugated iron sheets (each measuing aprox 215 x 300 cm
Dimensions variable
Black Righteous Space in collaboration with Hank Willis Thomas, 2013
Performance and video installation

EPISODE 4: THE AFTERLIFE OF MR GOLD, 2015
Performance

Biography

As soon as you touch me I change
– Mr Gold, The Brother Moves On

Self proclaimed art movement The Brother Moves On is an ever-evolving performance art collective founded by Nkululeko Mthembu and his brother Siyabonga Mthembu. Determined to belie any one definition, the collective’s work is often deliberately improvised and unpredictable. Collaboration drives the collective, which strives to undermine the traditional authority of individual artist practice and ownership.

Long term members of the collective include Siyabonga Mthembu, Zelizwe Mthembu, Ayanda Zalekile, Simphiwe Tshabalala, Oscar Kgware, Itani Thalefi, Hlubi Vhakalise, Malcolm Jiyane , Nolan Oswald Dennis and Stuart Cairns but membership is constantly fluctuating and transient.
Various performers, writers, artists, musicians and activists may collaborate at any given time on different projects before moving on.

The collective create live performances and installations so that meaning is generated through an experience rather than contained within one object. Fiction, re-enactment and the fantastical are utilized in performances like The Afterlife of Mr Gold, which chronicles both the life and afterlife of a supernatural fat cat – and The Brother Breaks the Bullion and The Brother Burns the Bullion – where real word economics and queer identity are amalgamated into a fable of greed and power.

In combining elements of fiction, the supernatural and the fantastical with factual history or recorded ‘truths’ in their installations and performances, The Brother Moves On defamiliarises our experience of both our present and our past. Performative fiction, which drives so much of The Brother Moves On instigates the altered realities through which the collective critique and comment on the socio-political issues of our own reality.

Press