Selected Works

Candice Breitz
Love Story, 2016
Seven Channel Installation; 7 Hard Drives, 73 minutes, 42 seconds

Candice Breitz
Love Story, 2016
Seven Channel Installation; 7 Hard Drives, 73 minutes, 42 seconds

Candice Breitz
TLDR, 2018
3-Channel Installation: 60 Minutes Duration, 10 Interviews: Approx. 12 hours

Candice Breitz
SWEAT, 2018
Single-channel video, colour, sound, loop
Approx. 25 mins
Candice Breitz
I'm Your Man (A Portrait of Leonard Cohen), 2017
9-Channel Installation: 19 Hard Drives, 40 minutes 43 seconds

Candice Breitz
Treatment, 2013
Dual-Channel Installation: 2 Hard Drives
9 minutes, 11 seconds
Candice Breitz
Factum: Tremblay, 2009
2 Hard Drives
78 minutes, 8 seconds
Candice Breitz
Extra #1, 2011
Chromogenic Print
56 x 84 cm
Candice Breitz
Mother + Father, 2005
Two Six-Channel Installations
Duration of Mother - 13 minutes, 15 seconds Duration of Father - 11 minutes
Candice Breitz
Mother + Father, 2005
Two Six-Channel Installations
Duration of Mother - 13 minutes, 15 seconds Duration of Father - 11 minutes
Candice Breitz
King (A Portrait of Michael Jackson), 2005
16-Channel Installation: 16 Hard Drives
42 minutes, 20 seconds
Candice Breitz
Her, 1978 - 2008
Seven-Channel installation
- 23 minutes, 56 seconds
Candice Breitz
Him, 1978 - 2008
Seven-Channel installation
- 28 minutes, 49 seconds
Candice Breitz
I’m frightened of the house… I’m frightened of myself too, (Excerpted from the Digest Archive), 1944-2019
25-Channel Video Installation: 5 shelves, 25 videotapes in polypropylene sleeves, paper, acrylic paint
Each unit: 20.3 x 12 x 2.7 cm
Candice Breitz
Profile , 2017
Single-Channel Video

Biography

Candice Breitz(b. 1972, Johannesburg, South Africa) is an artist whose moving image installations have been shown internationally. Throughout her career, she has explored the dynamics by means of which an individual becomes him or herself in relation to a larger community, be that community the immediate community that one encounters in family, or the real and imagined communities that are shaped not only by questions of national belonging, race, gender and religion, but also by the increasingly undeniable influence of mainstream media such as television, cinema and popular culture. Most recently, Breitz’s work has focused on the conditions under which empathy is produced, reflecting on a media-saturated global culture in which strong identification with fictional characters and celebrity figures runs parallel to widespread indifference to the plight of those facing real world adversity.

Solo exhibitions of Breitz’s work have been hosted by the Kunstmuseum Stuttgart, National Gallery of Canada (Ottawa), San Francisco Museum of Modern Art, Kunsthaus Bregenz, Palais de Tokyo (Paris), The Power Plant (Toronto), Louisiana Museum of Modern Art (Humlebæk), Modern Art Oxford, De Appel Foundation (Amsterdam), Baltic Centre for Contemporary Art (Gateshead), MUDAM / Musée d’Art Moderne Grand-Duc Jean (Luxembourg), Moderna Museet (Stockholm), Castello di Rivoli (Turin), Pinchuk Art Centre (Kyiv), Centre d’Art Contemporain Genève, Bawag Foundation (Vienna), Temporäre Kunsthalle Berlin, White Cube (London), MUSAC / Museo de Arte Contemporáneo de Castilla y León (Spain), Wexner Center for the Arts (Ohio), O.K Center for Contemporary Art Upper Austria (Linz), ACMI / The Australian Centre for the Moving Image (Melbourne), Collection Lambert en Avignon, FACT / Foundation for Art & Creative Technology (Liverpool), Blaffer Art Museum (Houston) and the South African National Gallery (Cape Town).

Selected group exhibitions include South Africa: the art of a nation (British Museum, London, 2016), Laughing in a Foreign Language (The Hayward, London, 2008), The Cinema Effect (Hirshhorn Museum + Sculpture Garden, Washington, D.C., 2008), Made in Germany (Kunstverein Hannover, 2007), Superstars (Kunsthalle Wien, 2005), CUT: Film as Found Object (Museum of Contemporary Art, North Miami, 2004), Continuity + Transgression (National Museum of Modern Art, Tokyo, 2002), Thank You for the Music (Kiasma Museum of Modern Art, Helsinki, 2012), Rollenbilder – Rollenspiele (Museum der Moderne Salzburg, 2011), Performa (New York, 2009), Contemporary Outlook: Seeing Songs (Museum of Fine Arts, Boston, 2009), Remix: Contemporary Art and Pop (Tate Liverpool, 2002) and Looking at You (Museum Fridericianum, Kassel, 2001).

Breitz has participated in biennales in Johannesburg (1997), São Paulo (1998), Istanbul (1999), Taipei (2000), Kwangju (2000), Tirana (2001), Venice (2005, 2017), New Orleans (2008), Göteborg (2003 + 2009), Singapore (2011) and Dakar (2014). Her work has been featured at the Sundance Film Festival (New Frontier, 2009) and the Toronto International Film Festival (David Cronenberg: Transformation, 2013).

Her work has been acquired by museums including the Museum of Modern Art,the Solomon R. Guggenheim Museum, the Jewish Museum (in New York), Louisiana Museum of Modern Art (Humlebæk), San Francisco Museum of Modern Art, the National Gallery of Canada (Ottawa), Städtische Galerie im Lenbachhaus (Munich), Art Gallery of Ontario (Toronto), FNAC / Fonds national d’art contemporain (France), Castello di Rivoli (Turin), Hamburger Kunsthalle (Hamburg), M+ / Museum of Visual Culture (Hong Kong), Milwaukee Art Museum, Kunstmuseum St. Gallen, MUDAM / Musée d’Art Moderne Grand-Duc Jean (Luxembourg), MUSAC / Museo de Arte Contemporáneo de Castilla y León (León, Spain), Kunstmuseum Lichtenstein (Vaduz), MONA / Museum of Old and New Art (Tasmania), QAG GOMA / Queensland Art Gallery (Brisbane), Museum of Fine Arts (Boston) and MAXXI / Museo nazionale delle arti del XXI secolo (Rome).

Breitz holds degrees from the University of the Witwatersrand (Johannesburg), the University of Chicago and Columbia University (NYC). She has participated in the Whitney Museum’s Independent Studio Program and led the Palais de Tokyo’s Le Pavillon residency as a visiting artist during the year 2005-2006. She has been a tenured professor at the Hochschule für Bildende Künste in Braunschweig since 2007.

Candice Breitz lives and works between Cape Town, South Africa and Berlin, Germany.

Recent work can be viewed at: http://vimeo.com/album/259786