Lisa Brice / Night Vision

About

Lisa Brice ‘Night Vision’

Now living and working in London and Trinidad, one of South Africa’s internationally acclaimed artists, Lisa Brice, will have first solo show here at the Goodman Gallery since 2000. ‘Night Vision’ is a new series of paintings and drawings which opens on Saturday 21st January 2006 at midday. 

Brice, known for her iconographic installations on the issue of criminal violence and the disruption of domestic life, is now turning to a more personal examination of her past. Her earlier work has been shown on biennales, art fairs and museum shows across the world, and is part of such public collections as the South African National Gallery in Cape Town, the Johannesburg Art Gallery and the Billiton collection.

From early childhood, film provided an escape for Brice. As an artist working in Trinidad, she became a regular at the weekly gatherings of the Studiofilmclub (SFC) run by artists, Peter Doig and Che Lovelace. Night vision photographs taken by Brice during the screenings were used to illustrate and record the atmosphere of the SFC nights in a catalogue printed by Walter Koenig, for an exhibition of Doig’s painted SFC posters at the Museum Ludwig, Cologne and the Kunsthalle, Zurich, 2005

The new work, on canvas, board and paper, range from postcard size pieces to large scale paintings, installed in ways which recall the story boards used in television and film production. Brice investigates such diverse subjects as airline/death row meals (as featured in 10 Years 100 Artists) and the fears that manifest and take form in childhood to become emotional baggage in adulthood. 

Whilst drawing on her usual accumulation of imagery from media sources, the work is also informed by the hundreds of night vision photographs that Brice has taken over the last few years, during her exploration and new found fascination with the medium of photography. The almost monochromatic greenish palette of the night vision mode on video cameras suggests, apart from the eeriness of the desaturated colour, a sense of intrigue and an invasion of privacy.

This investigation reveals the variety of forms fear takes on, like a shape shifter, forms often found in folk law, religion, film, children’s stories, politics as well as in our personal mythologies… the work is intended to suggest a struggle in which hope and magic have the possibility of prevailing.

For further information please contact us on (Tel) 011 788 1113, (Fax) 011 788 9887, Email:goodman@iafrica.com or browse our website: www.goodman-gallery.com
Gallery hours: Tuesday – Friday 9h30 to 17h30; Saturday 9h30 to 16h00.

  • Untitled I

    Lisa Brice

    Untitled I, 2005

    Oil on paper

    150 x 125cm

  • Untitled E

    Lisa Brice

    Untitled E, 2005

    Oil on paper

    82 x 58cm

  • A's Profile

    Lisa Brice

    A's Profile, 2005

    Oil on canvas

    35 x 25cm

  • A1 (After Degas)

    Lisa Brice

    A1 (After Degas), 2005

    Oil on canvas

    101 x 76cm

  • Wilderness Study

    Lisa Brice

    Wilderness Study, 2005

    Oil on paper

    30 x 41cm

  • Garden

    Lisa Brice

    Garden, 2005

    Oil on canvas

    183 x 173cm

  • SFC

    Lisa Brice

    SFC, 2005

    Oil on canvas

    183 x 244cm

  • Untitled (Spook)

    Lisa Brice

    Untitled (Spook), 2005

    Gesso on board

    40 x 51cm

  • Pool

    Lisa Brice

    Pool, 2005

    Oil on canvas

    40 x 51cm

  • Wilderness

    Lisa Brice

    Wilderness, 2005

    Oil on canvas

    183 x 244cm

  • A (After Degas) (study)

    Lisa Brice

    A (After Degas) (study), 2005

    Oil on paper

    27 x 20cm

  • Untitled 11

    Lisa Brice

    Untitled 11, 2005

    Oil on paper

    24 x 32cm

  • Untitled 14

    Lisa Brice

    Untitled 14, 2005

    Oil on paper

    22 x 30cm

  • Fall

    Lisa Brice

    Fall, 2005

    Chalk and blackboard paint on board

    120 x 50cm

  • Untitled A

    Lisa Brice

    Untitled A, 2005

    Oil on paper

    82 x 58cm

  • Dream Mirror

    Lisa Brice

    Dream Mirror, 2005

    Oil on paper

    150 x 240cm

  • Dream

    Lisa Brice

    Dream, 2005

    Oil on paper

    150 x 240cm

  • Untitled V

    Lisa Brice

    Untitled V, 2005

    Oil on canvas

    51 x 41cm

  • Untitled II

    Lisa Brice

    Untitled II, 2005

    Oil on paper

    150 x 125cm

  • Untitled III

    Lisa Brice

    Untitled III, 2005

    Oil on paper

    150 x 125cm

  • Untitled III

    Lisa Brice

    Untitled III, 2005

    Oil on paper

    150 x 125cm

  • Untitled IV

    Lisa Brice

    Untitled IV, 2005

    Oil on paper

    150 x 125cm

  • Baby

    Lisa Brice

    Baby, 2005

    Oil on paper

    150 x 225 cm

  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]
  • Installation picture [Lisa Brice / Night Vision]