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Yinka Shonibare CBE RA | Restitution of the Mind and Soul

15 September - 17 November 2022
Goodman Gallery, Cape Town

Goodman Gallery presents Restitution of the Mind and Soul by Yinka Shonibare CBE RA. This exhibition of new quilts, masks and sculptures marks Shonibare’s first solo exhibition with the gallery in Cape Town and his second exhibition with Goodman Gallery since bringing the iconic African Library to Johannesburg in 2018, which also marked the artist’s first show on the African Continent for fifteen years.

The premise for Shonibare’s exhibition four years ago, titled Ruins Decorated, rested on his belief that culture has evolved out of a process described by the artist as a “mongrelisation”. Restitution of the Mind and Soul takes Shonibare’s enduring interest in the legacy of African aesthetics to the next level, responding to the fact that “the African contribution to modernism has never really been celebrated in the way it ought to be” (Shonibare).

For this latest body of work, Shonibare considers how African aesthetics have shaped western modernist expression. The exhibition directly responds to Picasso’s collection of African artefacts, juxtaposing icons of classical European antiquity with these artefacts. Using Picasso’s collection as a starting point, these new works are a response to the widely acknowledged influence that African imagery had on major twentieth century artists and on entire western art movements, such as Cubism, Dada and Surrealism.

Artworks

Fibreglass and wood sculpture, hand-painted with Batik pattern, and steel base plate or plinth
Figure: 164 x 69.5 x 46 cm
Fibreglass and wood sculpture, hand-painted with Batik pattern, and steel base plate or plinth
Figure: 145 x 54 x 49 cm
Unavailable
Fibreglass and wood sculpture, hand-painted with Batik pattern, and steel base plate or plinth
Figure: 150 x 56 x 44.5 cm
Patchwork, appliqué, embroidery and Dutch wax printed cotton textile.
Work: 140 x 100 cm
Patchwork, appliqué, embroidery and Dutch wax printed cotton textile
Work: 250 x 178 cm
Unavailable
Patchwork, appliqué, embroidery and Dutch wax printed cotton textile
Work: 140 x 100 cm
Unavailable
Patchwork, appliqué, embroidery and Dutch wax printed cotton textile
Work: 140 x 100 cm
Patchwork, appliqué, embroidery and Dutch wax printed cotton textile
Work: 140 x 100 cm
Unavailable
Patchwork, appliqué, embroidery and Dutch wax printed cotton textile
Work: 140 x 100 cm
Hand painted wooden mask
Work: 36 x 24 x 18 cm
Hand painted wooden mask
Work: 37.5 x 17.5 x 15.5 cm
Unavailable
Hand painted wooden mask
Work: 37 x 19.5 x 12.5 cm
Hand painted wooden mask
Work: 43 x 26 x 16 cm
Hand painted wooden mask
Work: 37.5 x 20 x 12.5 cm
Collection of archival images
Unavailable

Films

About

Yinka Shonibare image

Yinka Shonibare

Yinka Shonibare (b. 1962, London, United Kingdom) studied Fine Art at Byam Shaw School of Art, London (1989) and received his MFA from Goldsmiths, University of London (1991). His interdisciplinary practice uses citations of Western art history and literature to question the validity of contemporary cultural and national identities within the context of globalisation. Through examining race, class and the construction of cultural identity, his works comment on the tangled interrelationship between Africa and Europe, and their respective economic and political histories.

In 2024, Serpentine Gallery, London UK, presented a solo exhibition of works in their Serpentine South gallery titled Suspended States. Shonibare’s work is also featured at the Venice Biennale 2024 as part of the Nigerian Pavilion, in the group show: Nigeria Imaginary.

To mark Sharjah Biennial’s 30th anniversary in February 2023, Shonibare was commissioned to create a series of new works for the exhibition. He also unveiled a new outdoor sculpture commissioned by the David Oluwale Memorial Association in Aire Park, Leeds as part of Leeds 2023.

In November 2022, Shonibare hosted the international launch of Guest Artists Space (G. A. S.) Foundation, a non-profit founded and developed by the artist. The Foundation is dedicated to facilitating cultural exchange through residencies, public programmes and exhibition opportunities for creative practitioners from around the world. The live/work residency spaces are set across sites in Lagos and a rural working farm in Ijebu, Ogun State.

A major retrospective of his work opened at the Museum der Moderne, Salzburg in the same year followed by his co-ordination of The Royal Academy Summer Exhibition, London which opened in September 2021. The survey solo exhibition, Yinka Shonibare CBE: Planets in My Head, opened in April 2022 at Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan followed by the unveiling in June 2022 of a major new sculptural work, Wind Sculpture in Bronze I at Royal Djurgården, Stockholm.

In 2013, he was elected a Royal Academician and was awarded the honour of ‘Commander of the Order of the British Empire’ in 2019. His installation ‘The British Library’ was acquired by Tate in 2019 and is currently on display at Tate Modern, London. Shonibare was awarded the prestigious Whitechapel Gallery Art Icon Award in 2021.

In 2010, his first public art commission ‘Nelson’s Ship in a Bottle’ was displayed on the Fourth Plinth in Trafalgar Square, London and is in the permanent collection of the National Maritime Museum, Greenwich, London. In 2008, his mid-career survey began at Museum of Contemporary Art, Sydney, travelling in 2009 to the Brooklyn Museum, New York and the Museum of African Art at the Smithsonian Institute, Washington D.C. In 2004, he was nominated for the Turner Prize.

Notable museum collections include: the Tate Collection, London; Victoria and Albert Museum, London; National Museum of African Art, Smithsonian Institute, Washington, D.C; Museum of Modern Art, New York; Moderna Museet, Stockholm; the Museum of Contemporary Art, Chicago; National Gallery of Modern Art in Rome and VandenBroek Foundation, The Netherlands.

Shonibare lives and works in London, United Kingdom.

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