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Remy Jungerman | Fault Lines | 2022

04 May - 28 May 2022
Goodman Gallery, London

Goodman Gallery presents Fault Lines*, an exhibition of new work by Remy Jungerman, marking the Dutch artist’s first solo presentation in the UK.

Fault Lines directly follows a major survey exhibition at The Stedelijk Museum Amsterdam for Jungerman, who is widely recognised as one of the Netherlands’ most important artists having co-represented his country at the 58th Venice Biennale in 2019.

Jungerman is part of a generation of Afro-Dutch artists whose practice challenges and destabilises Western art historical narratives. By initiating a dialogue between abstract geometric patterns drawn from a multiplicity of visual traditions, the artist presents a peripheral vision that can inform and enrich perspectives on art history.

Artworks

Cotton textile, kaolin (pimba) on wood panel (plywood)
Work: 82 x 82 cm
Cotton textile, kaolin (pimba) on wood and panel (plywood)
Work: 82 x 82 cm
Cotton textile, kaolin (pimba) on wood panel (plywood)
Work: 82 x 82 cm
Cotton textile, kaolin (pimba) on wood panel (plywood)
Work: 82 x 242 cm
Cotton textile, kaolin (pimba) and color pencil
Work: 156 x 156 x 5.5 cm
Cotton textile, kaolin (pimba), tar, beats, yarn, acrylic, wood (yellow poplar, plywood)
Work: 60 x 44 x 7 cm
Cotton textile, kaolin (pimba), beats, nails, acrylic, wood (yellow poplar, plywood, mdf)
Work: 169 x 39 x 7 cm
Cotton textile, kaolin (pimba) on wood (plywood)
Work: 40 x 42 x 85 cm

About

Remy Jungerman image

Remy Jungerman

Remy Jungerman (b. 1959, Moengo, Suriname) explores the intersection of pattern and symbol in Surinamese Maroon culture, the larger African diaspora, and 20th century Modernism. Placing fragments of Maroon textiles and other materials found in the African diaspora—the kaolin clay used in several religious traditions or the nails featured in Nkisi Nkondi power sculpture—in direct contact with materials and imagery drawn from more “established” art traditions, Jungerman presents a peripheral vision that enriches our perspective on art history.

In 2022 , Jungerman received the A.H. Heineken Prize for Art, the biggest visual art prize in the Netherlands. From November 20, 2021 – April 10, 2022 he was the subject of a career survey show at the Stedelijk Museum, Amsterdam, titled Remy Jungerman: Behind the Forest. In 2019, he represented the Netherlands at the 58th Venice Biennale. In 2017 he was nominated for the Black Achievement Award in The Netherlands. In 2008, he received the Fritschy Culture Award from the Museum het Domein, Sittard, The Netherlands.

Jungerman is co-founder and curator of the Wakaman Project, drawing Lines – connecting dots. Wakaman, which means “walking man,” was born out of a desire to examine the position of visual artists of Surinamese origin and to raise their profile(s) on the international stage. His first book, Remy Jungerman. Where the River Runs, published by Jap Sam Books in 2019, won the 2019 50books | 50covers design award from the AIGA in the US and has received two 2019 30 Best Dutch Book Designs awards (as per a student jury from the Gerrit Rietveld Academy, Amsterdam).

Institutional exhibitions and biennales include: Remy Jungerman: Behind the Forest, Stedelijk Museum, Amsterdam (2021-2022); Mondrian Moves, Kunstmuseum, The Hague, Netherlands (2022); 58th Venice Biennial, Dutch Pavilion, Venice (2019); KABRA. Descendants Exchange, Kunstverenging Diepenheim, Netherlands (2013); Infinite Island: Contemporary Caribbean Art, Brooklyn Museum, New York (2007).

Group exhibitions include: Spirit Levels, CCA Glasgow, Scotland (2014); Who More Sci-Fi Than Us?, Kunsthal KAdE, Amersfoort, Netherlands (2012); Positions, De Hal, Paramaribo, Suriname (2011).

Solo exhibitions include: Still Waters, Goodman Gallery Johannesburg (2024); Fault Lines, Goodman Gallery, London (2022).

Jungerman lives and works between Amsterdam and New York

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