'Triplets I' is part of a series of works in which Sam Nhlengethwa is exploring the connection between art and fashion. Central to his practice and his life is a fascination with the sartorial; how people dress themselves to represent who they are and how they view the world. For the artist, clothing and art have always fed each other. This circular feedback loop is what he highlights through runway scenes and portraits of vibrant colour.
Sam Nhlengethwa (b. 1955, Payneville, Springs) part of a pioneering generation of late 20th century South African artists whose work reflects the sociopolitical history and everyday life of their country. Through his paintings, collages and prints Nhlengethwa has depicted the evolution of Johannesburg through street life, interiors, jazz musicians and fashion.
The Blue Coat and Stetson II see the artist explore the connection between art and fashion, highlighting his fascination with how people dress themselves to represent who they are and how they view the world.
'Red Lips' is part of a series of works in which Sam Nhlengethwa is exploring the connection between art and fashion. Central to his practice and his life is a fascination with the sartorial; how people dress themselves to represent who they are and how they view the world. For the artist, clothing and art have always fed each other. This circular feedback loop is what he highlights through runway scenes and portraits of vibrant colour.
Sam Nhlengethwa (b. 1955, Payneville, Springs) part of a pioneering generation of late 20th century South African artists whose work reflects the sociopolitical history and everyday life of their country. Through his paintings, collages and prints Nhlengethwa has depicted the evolution of Johannesburg through street life, interiors, jazz musicians and fashion.
The Blue Coat and Stetson II see the artist explore the connection between art and fashion, highlighting his fascination with how people dress themselves to represent who they are and how they view the world.
'Grand Piano' is part of a series of works in which Sam Nhlengethwa is exploring the connection between art and fashion. Central to his practice and his life is a fascination with the sartorial; how people dress themselves to represent who they are and how they view the world. For the artist, clothing and art have always fed each other. This circular feedback loop is what he highlights through runway scenes and portraits of vibrant colour.